<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-9195209296932618143</id><updated>2012-02-16T12:29:31.277+02:00</updated><title type='text'>elements of linguistics</title><subtitle type='html'>The blog presents current opinions on language and communication. As an admin of this blog I aim at stating my opinion and sharing views with anyone who may have similar academic or research interests.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://elementsoflinguistics.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>12</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-2598514805587730503</id><published>2012-02-01T12:24:00.000+02:00</published><updated>2012-02-01T12:24:14.218+02:00</updated><title type='text'>The Multidisciplinary Nature of Media Discourse</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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mso-table-condition:odd-column; mso-tstyle-shading:#D3DFEE; mso-tstyle-shading-themecolor:accent1; mso-tstyle-shading-themetint:63; mso-tstyle-border-left:cell-none; mso-tstyle-border-right:cell-none; mso-tstyle-border-insideh:cell-none; mso-tstyle-border-insidev:cell-none;}table.MsoTableLightShadingAccent1OddRow {mso-style-name:"Light Shading - Accent 1"; mso-table-condition:odd-row; mso-tstyle-shading:#D3DFEE; mso-tstyle-shading-themecolor:accent1; mso-tstyle-shading-themetint:63; mso-tstyle-border-left:cell-none; mso-tstyle-border-right:cell-none; mso-tstyle-border-insideh:cell-none; mso-tstyle-border-insidev:cell-none;}&lt;/style&gt;&lt;![endif]--&gt;&lt;!--StartFragment--&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; text-align: justify;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;Media language needs the combinationof more than one discipline for its complete examination and understanding. Theoperational function of advertisements triggers common sense knowledge byaccounting on multiple dimensions of discourse such as philosophical,linguistic, psychological, sociological and anthropological. Knowledge of medialanguage presupposes the grounding of the former notions into our perceptualapparatus; knowledge is expressed conveyed, accepted and shared in thediscourse of advertising by further defining its nature as not only social, butalso as cultural and subjective. Advertising is the body of multiple types ofknowledge since its systematic analysis endows with not only the comprehensionof a particular passage, but also with local and global knowledge a particularobject signifies on the grounds of verbal and non-verbal processes ofconceptualization. In other words, advertising entails a double association -incertain cases even a double dissociation- between meaning-interpretation and meaning-realization.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;Interpretabilityconstraints of media discourse are based on the concept of a multidisciplinarymatrix, which examines language from both an insider’s perspective (the surfacestructure of passages) and from an outsider’s perspective (meaningful remarksderived from visual, aural and auditory modalities. Commercials represent asynthesis of global behaviors with the individual’s experiences, resulting inan interactional discourse which further constitutes the reification of thegiven product as the image of the market on the one hand and the image a singleconsumer expects to obtain on the other. As long as the market remainsrelatively stable, fluctuating within predictable advertising techniques, theindividual is disposed to operate according to the established attitudes (buy,or not a particular product). However, when the market produces suchfluctuations that the individual is not able to locate with a single reading,old practices of advertising, are replaced by new ones, in our case subliminalimages.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span class="Apple-style-span" style="font-size: 16px;"&gt;According to Danesi (2002: 179) advertising derives from the Medieval Latinverb “advertere”, which means to “direct one’s attention to”; it designates anytype of public announcement and representation in order to promote the sale ofspecific commodities and services. According to Cook (1992: 3) advertisementsare interactions of multiple elements such as language, paralanguage,participants, society, situations, pictures, music, other ads and discourses.The purpose of ads concerns the substances of attention getting, talking microchips,novel substance and lastly fixing the product more firmly by actively involvingthe reader (1999: 25). Lastly, it is should be noted that the differencebetween advertising and any other kinds of representations and activities lieson the fact that it aims at influencing judgments, attitudes and behaviors.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span class="Apple-style-span" style="font-size: 16px;"&gt;Advertisements need multidimensional readings in order toperceive their intended messages, if not entirely, at least approximately. Theanalysis of the particular genre demands two axes of organization:&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: 16px;"&gt;i) analyzingby virtue of synthesizing multiple disciplines and ii) embedding andde-embedding the multiple dimensions in the representational functions ofcommercials. The body of commercials entails the perception and theinternalization of a stylistic structure, which functions as a mental path leadingto the semantization and thematization of their persuasive nature. Thestructure of commercials is highly descriptive since it simply denotes aspecific quality or quantity of the product, which has to be in proportion withconsumers’ needs and desires. The dependency of advertisements on not onlylinguistic dimensions, but also on multiple discourses, leads in theirenrichment and revitalized nature.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;In particular, Faircloughand Wodak (1997: 258) argue for a dialectical relationship between a particulardiscursive event and the situations, institutions and social structures thatframe it. They speak of discourse as a form of social practice, which embodiesvariables ranging from ideology and power, to hierarchy, gender and sociology. Asfor advertising, we could hypothesize that it is in parallel relations with thesocial aspects of human behavior so that to embody the linguistic informationin the societal dimension that patterns the habitus. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;But what is habitus andhow can we define it in relation to modernity? And if habitus is associatedwith modernity, what is its impact on advertisements? Many scholars agree thatthe habitus is an aspect of human behavior on the grounds of ideology andsocialization. As the following definitions show, habitus is an innate anduniversal aspect of human cognition. In particular, Bateson, Elias and Scollonclaim that: &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 100.35pt; margin-right: 100.35pt; margin-top: 0cm; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;“The notion of the habit is a major economy of conscious thought”&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt; (Bateson [1942] 1972: 141).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 100.35pt; margin-right: 100.35pt; margin-top: 0cm; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;“Social and physical habitus are interrelated and social andphysical habitus are transformations of habitus resulted in historical change” &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;(Elias 1939, 1968). &lt;i style="mso-bidi-font-style: normal;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 100.35pt; margin-right: 100.35pt; margin-top: 0cm; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;“Habitus is a set of generative dispositions and has its ontogenesis inthe earliest development of social and cognitive life” &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;(Scollon 2003: 176). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 6.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;Therefore, habitus could be treated as a kind ofembodied ideology as it constitutes &lt;/span&gt;&lt;span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: Helvetica; mso-bidi-font-size: 13.0pt; mso-bidi-font-weight: bold;"&gt;a&lt;/span&gt;&lt;span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: Helvetica; mso-bidi-font-size: 13.0pt;"&gt; set of socially learntdispositions, the acquisition of which is held through the activities andexperiences of everyday life. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 6.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;According to Scollon (2003:179) themodern world has reconstructed national habitus as the image of the society onthe one hand and the image of the individual personality on the other. &lt;/span&gt;&lt;span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: Helvetica; mso-bidi-font-size: 13.0pt;"&gt;In other words, habitus could be defined as a mental structurefunctioning in the realization of social structure at the level of individualsubjectivity. &lt;/span&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;Socialchanges establish transformations by restructuring the habitus as old practicesare replaced by new. As the world we live in constantly changes, the acts thatwe perform and our attitude towards them also has to change. On the grounds ofthe pattern of social transformations, we could further suppose thatadvertisements have to adjust their ideological and attitudinal character inproportion to the current social settings. &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: Helvetica; mso-bidi-font-size: 13.0pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;In addition to thesocio-cognitive definition on habitus, Myles (2010: 20) argues for its relationwith mass media by proposing that the linguistic habitus acts as a constraintin media because the embodied nature of language is not only subject to thedeterminations of the market, but also to the type of “orchestrating” locatedin the habitus. To me, this assumption could be based on the fact that mediahas autonomy vis-à-vis the social field because it shapes or it is shaped fromthe transparency and immediacy of human experiences and ideologies. Media discourseembraces a sociological view of language that subordinates thenon-arbitrariness of linguistic meaning in order to stress the necessity ofpersuading and promoting specific values and moralities. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;Besides the above, the social dimension of advertising encodes two kindsof knowledge for discourse processing. Firstly, personal and group knowledgeshapes mental models for the interpretation of the advertised message. Afterthat, this knowledge becomes socially and culturally shared, if we consider themultiplicity of the channels of message transmission, like television, radio,magazines, newspapers, Internet, films etc. According to van Dijk (2003: 106) discourseprocessing correlates with social knowledge and demands a systematic analysison the basis of four steps: i) comprehension of a passage through a huge amountof general knowledge, ii) local and global coherence, iii) presupposition ofknowledge and iv) context model knowledge.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;Moreover, media languageis established in public space on the basis of generating power and furtherlinking the concept of power with legitimacy and public discourse (Benhabib1992: 80-1). Power is a fundamental concept of commercials, it is entrenched inthe way the market presents products; however, power should not be solelydescribed as a moral value originated by individualistic behaviors. I view thatthe concept of power is an abstraction of the processing language ofcommercials; power is not restricted to people, it is rather endowed withentities and objects. Habermasian philosophy explores the notion of publicspace in a dual manner: at a primary level the public sphere is approached asan institutional mechanism for rationalizing political and any other type (inour case advertising) domination and, at a secondary level the public sphereillustrates public opinion (Fraser 1992: 112-13). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;With regard toadvertising, I would like to stress that the notion of public sphere isgoverned by the derivative relationship between a logical object and a passivesubject or, between a passive object and a logical object. According to me, commercials are inclusive devices of an object,which has to be entrenched in subjects’ choices; the given product stands forthe object, which is either active –when it is represented by agents- orpassive –when it is represented alone (for example, display commercials whichsingly illustrate products, without any particular setting). The subject standsfor consumers’ public space; if the product is presented in a communicativeenvironment surrounded from agents, consumers seem to passively andeffortlessly process its message. However, if the product stands alone (forexample, in certain display advertisements alcohol drinks are illustratedwithout any agents), the public sphere -consumers- need to process the intendedmessage of commercials in a more active manner; they need to seek for thedegree of desirability and necessity in buying the advertised object. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 72.0pt; margin-right: 72.0pt; margin-top: 0cm; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 12.0pt; line-height: 200%;"&gt;Lastly, Garnham (1992: 365, 367) claims that media communication synthesizes ideologiesbased upon face-to-face communication in a single physical space because, whathas become mediated is the content of communication and the subject of debate.Could we further assume that what is physically shared, is lost? If we supposethat mass media focus on the necessary material resource base for any publicsphere, we could further assert that markets tend to distribute advertisements onthe basis of what a public sphere seeks to obtain. However, in a pluralisticperspective markets seek to influence subjects at a public point, which putsits grounds on individual constraints. As a result, the public space ofadvertising is mediated by a general social ideology reflected in an externalreality that has to be subject to personal experiences and behaviors.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-2598514805587730503?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/2598514805587730503'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/2598514805587730503'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2012/02/multidisciplinary-nature-of-media.html' title='The Multidisciplinary Nature of Media Discourse'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-7117378565748871760</id><published>2011-07-13T07:23:00.001+03:00</published><updated>2011-10-03T21:35:48.784+03:00</updated><title type='text'>Approaching the language of politics in a Cognitive manner</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;The title implies the non-literal use of language of politics and will focus on the metonymic use of /here/ and /there/ in speeches from the Hellenic Parliament; in other words I will argue on schematic transformations of the metonymic models of /edo/ and /eki/. The analysis will not be based on a discourse approach, rather on a cognitive one.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Politics like all spheres of social activity, has its own &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;code&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;, a term used by linguists to refer to a language&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; variety of a particular group.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;The cognitive process that relates literal meanings to extended &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;meanings is known as &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;mapping&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Mapping is the projection of one set of conceptual entities&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;onto another set of conceptual shifts.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;We mentally trace a &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;path&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; from a conceptually salient &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;conceptual entity to another conceptual entity.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;I.e.) /πως φτάσαμε ως εδώ/ à politicians/&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;economic situation&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;The notion of &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;salient/ saliency&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; is a reference point which allows to access &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;another conceptual entity&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;the target.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;   &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="direction: ltr; line-height: 120%; margin-bottom: 0pt; margin-left: 0.49in; margin-top: 24pt; text-align: justify; text-indent: -0.49in; unicode-bidi: embed; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Speakers are likely to employ &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;hyperbole&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; in the course of what can broadly be considered political activities.&amp;nbsp;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Metaphor and metonymy &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;act as mechanisms to bring the audience to see the facts at issue in the way the speakers want them to see these facts.“When the speaker senses the possibility that the members of the audience have a value which will work to his/hers advantage, if he/she can &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;stimulate them to experience a fantasy concerning the consequences of the facts as he/she wants them seem&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;, the probability of hyperbole being used increases even more” (Swartz; 1976:113).&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: 120%; margin-bottom: 0pt; margin-left: 0.49in; margin-top: 24pt; text-align: justify; text-indent: -0.49in; unicode-bidi: embed; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;span style="font-style: normal; font-variant: normal; text-transform: none; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Since&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;span style="font-style: normal; font-variant: normal; text-transform: none;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; we are dealing with political speech the conceptualization of time and place in virtue of metonymy is &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;grounded by the relation of a situation to the experience of the speaker. The speaker is the reference point of time and place.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Temporal cognition is one aspect of conceptual structure which relates to our conceptualization of time.&amp;nbsp;Unlike &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;space&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;, time is not a concrete or physical sensory experience.&amp;nbsp;&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Temporal experience&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; is both phenomenologically real and subjective.&amp;nbsp;Subjective experience of time is not a single unitary phenomenon; it is compromised of experiences such as our ability to access &amp;amp; perceive duration, simultaneity and points of time.&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: 120%; margin-bottom: 0pt; margin-left: 0.49in; margin-top: 24pt; text-align: justify; text-indent: -0.49in; unicode-bidi: embed; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;The spatio-temporal anchoring of our language is not only the basis of our understanding of linguistic messages, but also the basis for anticipating certain kinds of linguistic messages.&lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&amp;nbsp;We locate entities and situations spatially and each of these expressions carries a different degree of explicitness in the encoding referents of the world&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Explicitness&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; incorporates the weighted relevance of various conceived elements of the situation with respect to the &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;communicative inten&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;t of the speaker.&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: 120%; margin-bottom: 0pt; margin-left: 0.49in; margin-top: 24pt; text-align: justify; text-indent: -0.49in; unicode-bidi: embed; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Talmy&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; (1983) and &lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Langacker&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; (1986, 1988) observed that the way we locate objects with respect to one another involves the recognition of some kind of asymmetrical relation between the object we want to locate and the object with respect to which we locate it.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;According to them, asymmetrical relations are recognized with respect to &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;size, containment, support, orientation, order, direction, distance, motion, or a combination of these.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;For &lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Svorou&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; (1993) a spatial-arrangement of two entities may be described in a number of ways, each of which constitutes a ‘construal’.&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: 120%; margin-bottom: 0pt; margin-left: 0.49in; margin-top: 24pt; text-align: justify; text-indent: -0.49in; unicode-bidi: embed; vertical-align: baseline;"&gt;&lt;b&gt;Examples:&lt;/b&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: 120%; margin-bottom: 0pt; margin-left: 0.49in; margin-top: 24pt; text-align: justify; text-indent: -0.49in; unicode-bidi: embed; vertical-align: baseline;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;1. "&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;span style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Εμείς είμαστε &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;εδώ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;span style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; και θα παραμείνουμε &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;εδώ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;span style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;, ενώ εσείς είστε και θα παραμείνετε &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;εκεί"&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; margin-bottom: 0pt; margin-top: 0pt; text-align: left; unicode-bidi: embed; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;/ekei/ in this context means ‘away from’; according to Talmy it refers to the motion of a schematically &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Figure&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; along a &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;path &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;that progressively increases its distance from a &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;schematically &lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;pointlike&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; &lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Ground&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; margin-bottom: 0pt; margin-top: 0pt; text-align: left; unicode-bidi: embed; vertical-align: baseline;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; margin-bottom: 0pt; margin-top: 0pt; text-align: left; unicode-bidi: embed; vertical-align: baseline;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;2.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;«&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Πώς φτάσαμε ως &lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;εδώ&lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;»&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: normal; margin-bottom: 0pt; margin-left: 0in; margin-right: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: center; text-indent: 0in; unicode-bidi: embed; vertical-align: baseline; word-break: normal;"&gt;&lt;span style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: normal; margin-bottom: 0pt; margin-left: 0in; margin-right: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: left; text-indent: 0in; unicode-bidi: embed; vertical-align: baseline; word-break: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;The utterance is a part of a political debate in the Hellenic Parliament. One representative of a political party elaborates on argumentation against the insufficient politics of the other political party.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Despite the fact that the intended refer&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;ent is not explicitly mentioned (the politician instead of using the personal pronoun, uses &lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;edo&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;) the conveyed message is understood by the hearer since, a new politial conversation arised&amp;nbsp;[Μιλάτε εσείς για το πώς φτάσαμε &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;εδώ&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;]&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: normal; margin-bottom: 0pt; margin-left: 0in; margin-right: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: left; text-indent: 0in; unicode-bidi: embed; vertical-align: baseline; word-break: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: normal; margin-bottom: 0pt; margin-left: 0in; margin-right: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: left; text-indent: 0in; unicode-bidi: embed; vertical-align: baseline; word-break: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;b&gt;Thus,&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;i&gt;Time&amp;nbsp;and Space &lt;/i&gt;are the starting points to conceptualize the metonymic uses of /&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;edo&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;/ &amp;amp; /&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;ekei&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;/.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;We cannot separate time from space in&lt;u&gt; &lt;/u&gt;order to argue for metonymic alteration.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;b&gt;The dominant image schema is that of container, part-whole and vice versa&lt;/b&gt;, diversion and splitting since the examples were drawn from political debates between the representatives of the political parties in the Hellenic Parliament.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: normal; margin-bottom: 0pt; margin-left: 0in; margin-right: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: left; text-indent: 0in; unicode-bidi: embed; vertical-align: baseline; word-break: normal;"&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: normal; margin-bottom: 0pt; margin-left: 0in; margin-right: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: left; text-indent: 0in; unicode-bidi: embed; vertical-align: baseline; word-break: normal;"&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: normal; margin-bottom: 0pt; margin-left: 0in; margin-right: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: left; text-indent: 0in; unicode-bidi: embed; vertical-align: baseline; word-break: normal;"&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #274e13;"&gt;This brief paper is a part of a conference presentation, which will take place in Belgium, 2011.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="direction: ltr; line-height: normal; margin-bottom: 0pt; margin-left: 0in; margin-right: 0in; margin-top: 0pt; mso-line-break-override: none; punctuation-wrap: hanging; text-align: left; text-indent: 0in; unicode-bidi: embed; vertical-align: baseline; word-break: normal;"&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-7117378565748871760?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/7117378565748871760'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/7117378565748871760'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2011/06/approaching-language-of-politics-in.html' title='Approaching the language of politics in a Cognitive manner'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-1800790958982391434</id><published>2011-07-13T03:36:00.001+03:00</published><updated>2011-07-13T03:39:48.825+03:00</updated><title type='text'>Critical Realism in the New Capitalism: Overdetermination, Transdisciplinarity and Citizenship</title><content type='html'>Capitalism has the capacity to overcome crisis by radically transforming itself periodically so that economic growth and profitability can continue; by virtue of such a transformation towards 'New Capitalism' the modification of restructuring relations between economic, political and social domains occurred.&lt;br /&gt;&lt;br /&gt;The common idea of new capitalism as a 'knowledge-based' socio-economic order implies that it is also discourse-driven. The significance of language in these transformations endow with the performative power to bring into the very realities &amp;nbsp;of globalization, governance, flexibility and employability. Global space is represented as an entity, a place, 'the modern world' and it is a participant, rather than a circumstance. It is the passive subject and the logical object, which functions as an intermediate stretch of time which includes both pre and post-dates.&lt;br /&gt;&lt;br /&gt;In Critical Discourse, interdiscursive analysis of texts is the mediating level of analysis, which is crucial in to integrating social and linguistic analysis. Under the manner of 'semiosis' social practices are networked so that to describe a particular social field. Social change is change in the networking and therefore, scalar changes in relations between global, regional, national and local &amp;nbsp;configurations, discourses and styles.&lt;br /&gt;&lt;br /&gt;A language defines a certain potential, certain possibilities and at the same time excludes others. But texts as elements of social events are not simply the effects of potentials defined by languages. They exhibit intermediate organizational entities of a specifically linguistic sort; hence, they manifest the linguistic moments of networks of social practices like orders of discourse.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-1800790958982391434?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/1800790958982391434'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/1800790958982391434'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2011/07/critical-realism-in-new-capitalism.html' title='Critical Realism in the New Capitalism: Overdetermination, Transdisciplinarity and Citizenship'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-527150894697705252</id><published>2011-05-06T00:27:00.003+03:00</published><updated>2011-05-06T00:31:58.239+03:00</updated><title type='text'>Read it Believe it!! Polysemy and Metonymy: The in-between point in conceptualizing discourse.</title><content type='html'>&lt;div class="MsoNormal"&gt;*Discourse refers to language produced by its users, interaction is implied and it further extends to cover longer stretches of language, rather than only sentences and utterances. This means that discourse is something broad and diverse as it is applied both to written and spoken language; thus, discourse explores who uses the language, to whom, why, when, where and how. (Sifianou, 2001:1-9)&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;By ‘polysemy’ I mean:&lt;/div&gt;&lt;div class="MsoNormal"&gt;a) ‘the phenomenon whereby a single vehicle has multiple related sense-units associated with it’ (Evans 2009: 149). &lt;/div&gt;&lt;div class="MsoNormal"&gt;b) “the association of two or more related senses with a single linguistic form” (Taylor, 2003: 638). &lt;/div&gt;&lt;div class="MsoNormal"&gt;c) not only a property of words but also a property of morphemes, morphosyntactic categories, and even syntactic constructions. (2003: 638). &lt;/div&gt;&lt;div class="MsoNormal"&gt;&amp;nbsp;By ‘metonymy’ I mean the linguistic effect whereby a concept stands for something else; state of affairs/ situations/ events etc. &lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Both polysemy and metonymy are transformed into image schemas. An image schema is the combination of visualizing reality through the sensory system of seeing, hearing, feeling. However, it is more than the senses; it covers aspects of containing and verticality as well. &lt;/div&gt;&lt;div class="MsoNormal"&gt;When we say that polysemy is a dynamic byproduct of this operation of conceptual integration, it is not a property of the words themselves. Polysemy is therefore ubiquitous but also barely noticeable in most cases. &lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;When we speak of something in a metonymic manner we make our adaptation in virtue of a particular context. We coerce, modulate and select information so that to conceptualize the embedded message, either written, or spoken. As Cruse (2004: 118-20) claims Selection is observed when all the readings are suppressed except one. Then, this one reading will be “selected” and in this situation we cannot have more that one alternative. Coercion is expressed by the fact that we often try to convey an “intelligible message” through possible meaning extensions. In other words, if we find one meaning we consider it as the intended meaning so that to say that the context has “coerced a new meaning. Finally, modulation could be defined as a variation arising as a result of contextual effects which do not go beyond the bounds of a single sense. Hence, contextual modulation is divided into enrichment and impoverishment. Enrichment means to add information to the semantic context and make it more specific, whereas impoverishment could be viewed as the presence of “a lexical item [which] is being used in a vague sense”. &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;As humans we are predisposed to use language metonymic and denote meaning in a polysemic way. Both &amp;nbsp;polysemy and metonymy is dependent on higher pragmatic knowledge- knowledge of the world. In the later stages of acquisition the mind designates meaning in words by placing them into context. Theory of Mind is predisposed in humans and its processes such as contextualization are interrelated with encyclopedic knowledge and shared experience.&amp;nbsp;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-527150894697705252?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/527150894697705252'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/527150894697705252'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2011/05/read-it-believe-it-polysemy-and.html' title='Read it Believe it!! Polysemy and Metonymy: The in-between point in conceptualizing discourse.'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-7017857961785939214</id><published>2011-04-17T03:07:00.001+03:00</published><updated>2011-04-17T04:10:25.179+03:00</updated><title type='text'>"Sorry I'm not feeling myself today": The metaphor system in poetry</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;It has been observed that in persuasive language and by the term 'persuasive' encompassing genres such as politics, ads, literary texts and most of all &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;poetry&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&amp;nbsp;the metaphorical system is dominant.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;In post-modern works; for instance in Oslon, Cage, Duncan, Bukowski, Owen, Palmer, Davidson, Bernstein, Pulmer, North, Trinidad and in many others the loss of self metaphor is juxtaposed and embedded. The self is regarded as the totality of facts and things. Facts refer to state of affairs, situations, experience and things to more objective entities such as the human body in itself (especially the female one).&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;From a linguistic aspect- or to put it better from a more Cognitive view the metaphor lies on the embodiment condition. With respect to this, language shapes meaning and meaning shapes feelings and emotions. In virtue of emotive language the metaphor and especially the loss of self metaphor is used as the vehicle for expression.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;A person is presented as a dual entity.It is understood as a group of entities: the Subject &amp;amp; the Self. This distinction is applied on the basis of conceptualizing a holistic system of experiences (such as imagining ourselves as being someone else).&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;—&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;A person is the totality of Subject and Self.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;The experiencing consciousness is the Subject.&amp;nbsp;The bodily and functional aspects constitute the Self due to a spatial relationship between Subject &amp;amp; Self. Hence,the metaphor is a&lt;/span&gt;&lt;span style="font-size: 26pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;way of conceptualizing a wide range of real experiences both positive &amp;amp; negative.&amp;nbsp;The conceptualization of conscious control in terms of Self &amp;amp; Subject presupposes that the Subject possesses and controls the Self. If control is lost, possession is also lost.&lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-7017857961785939214?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/7017857961785939214'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/7017857961785939214'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2011/04/sorry-im-not-feeling-myself-today.html' title='&quot;Sorry I&apos;m not feeling myself today&quot;: The metaphor system in poetry'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-4953291610790782248</id><published>2011-04-06T03:12:00.002+03:00</published><updated>2011-10-03T21:36:42.234+03:00</updated><title type='text'>Do we always speak of what we mean? Evidence from Reference</title><content type='html'>&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 200%;"&gt;Do we always speak of what we mean? Do we always use reference in order to denote meaning and how can we really define its counterparts? Language can be ‘misleading’ in certain cases since not all referring expressions necessarily convey reference. Definite descriptions, deictics, generics, indexicals, proper names etc., should not be regarded as simple cases of referring expressions as their meaning goes beyond the utterance they occur. Their reference is shaped both by the intention of the speaker and the way the audience makes the identification with what is being referred. Non-referring is not restricted only to the attributive, or equative use of referring expressions. This paper will follow a more critical approach concerning (non)reference and examples will be drawn from newspaper articles, political speeches and advertisements; (non)reference will be considered as the interrelation of the situation derived from a particular context, on the basis of who, to whom, why, when, where and how norms of interaction, interpretation and genres are used. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt; line-height: 200%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-right: 42.55pt;"&gt;&lt;span style="font-size: 11pt; line-height: 150%;"&gt;References:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-right: -.05pt; tab-stops: 496.1pt; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 150%;"&gt;Bach, K. (1987): &lt;i style="mso-bidi-font-style: normal;"&gt;Thought and Reference. &lt;/i&gt;Oxford: Clarendon P.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 11pt;"&gt;Bloomaert, J. (2005): &lt;i style="mso-bidi-font-style: normal;"&gt;Discourse. &lt;/i&gt;New York: Cambridge UP. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-right: -.05pt; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 150%;"&gt;Cruse, A. (2004): &lt;i style="mso-bidi-font-style: normal;"&gt;Meaning in Language, &lt;/i&gt;“Oxford Textbooks in Linguistics”. Series eds. Keith Brown, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-right: -.05pt; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 11pt; line-height: 150%;"&gt;Eve V. Clark, April Mc Mahon, Jim Miller &amp;amp; Lesley Milroy. Oxford: Oxford UP.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 200%;"&gt;Donnellan, K. (1966): “Reference and Definite Descriptions”. &lt;i style="mso-bidi-font-style: normal;"&gt;Philosophical Review&lt;/i&gt;. 75: 281-304.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-right: -.05pt; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 150%;"&gt;Eikmeyer, H. &amp;amp; Rieser, H. Ed. (1981): &lt;i style="mso-bidi-font-style: normal;"&gt;Meanings, Intentions and Stereotypes, &lt;/i&gt;“Words, Worlds and &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-right: -.05pt; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 11pt; line-height: 150%;"&gt;Contexts.” Berlin, New York: Walter de Gruyter. 133-150.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 200%;"&gt;Kitis, E. (2009-10): “Semantics”. Thessaloniki: Aristotle UP. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-right: -.05pt; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 150%;"&gt;Kitis, E. (MS): &lt;i style="mso-bidi-font-style: normal;"&gt;Deixis. &lt;/i&gt;Thessaloniki: Aristotle UP.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 200%;"&gt;Kripke, S. (1972): “Naming and Necessity”. In &lt;i style="mso-bidi-font-style: normal;"&gt;Semantics for natural language&lt;/i&gt;, eds. Donald Davidson &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-size: 11pt; line-height: 200%;"&gt;and Gilbert Harman. Dordrecht: Reidel. 253-355 and 763-9.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-right: -.05pt; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 150%;"&gt;Lyons, C. (1999): &lt;i style="mso-bidi-font-style: normal;"&gt;Definiteness. &lt;/i&gt;Cambridge: Cambridge UP.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-right: -.05pt; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-right: -.05pt; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 150%;"&gt;The paper was presented in the 20th International Symposium of Theoretical and Applied Linguistics.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-right: -.05pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px; line-height: 22px;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: magenta;"&gt;To my supervisors -professors&amp;nbsp;for their guidance, my colleagues for the support &amp;nbsp;and most of all to despoina for her encouragement..&lt;b&gt;.&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-4953291610790782248?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/4953291610790782248'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/4953291610790782248'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2011/04/do-we-always-speak-of-what-we-mean.html' title='Do we always speak of what we mean? Evidence from Reference'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-8868457131761037345</id><published>2011-03-06T16:32:00.001+02:00</published><updated>2011-04-17T04:15:55.844+03:00</updated><title type='text'>The Two Types of Modality: Agent-Oriented Vs. Epistemic Modality, A review on Heine's argument</title><content type='html'>&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 36.0pt; text-align: justify;"&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;div style="text-align: auto;"&gt;&lt;span class="Apple-style-span" style="font-style: normal; line-height: normal;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify; text-indent: 18.0pt;"&gt;Bernd Heine argues for the &lt;u&gt;two types of modality&lt;/u&gt;, that is &lt;b&gt;&lt;i&gt;agent-oriented&lt;/i&gt;&lt;/b&gt; (also known as deontic root, objective, and pragmatic) and &lt;b&gt;&lt;i&gt;epistemic modality&lt;/i&gt;&lt;/b&gt; (also known as subjective, or hypothetical). Heine claims that epistemic modality is more subjective compared to agent-oriented modality, which is more objective; Thus, there are some modals, such as &lt;i style="mso-bidi-font-style: normal;"&gt;will&lt;/i&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;&amp;nbsp;&lt;/i&gt;that have closer relationship with the verb and some others, such as must, that do not have so close relationship with the verb of the sentence (19). As a result, &lt;i style="mso-bidi-font-style: normal;"&gt;will &lt;/i&gt;provokes agent-oriented modality (as it expresses objectivity), whereas &lt;i style="mso-bidi-font-style: normal;"&gt;must &lt;/i&gt;provokes epistemic modality (as it expresses subjectivity).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify; text-indent: 18.0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify; text-indent: 18.0pt;"&gt;&lt;b&gt;What factors affect modality?&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify; text-indent: 18.0pt;"&gt;The behavior of the modals in terms of agent-oriented and epistemic senses is affected by the type of the main verb of the clause; verbs expressing action and telic verbs provoke agent-oriented modality, but stative verbs provoke both types of modality (25). However, there are some other factors affecting modality, such as the type of proposition, tense, and aspect; in perfect, modals have agent oriented uses, and the same happens with interrogative and negative propositions (25).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 18.0pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 18.0pt; text-align: justify;"&gt;Examples.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;ol start="1" style="margin-top: 0cm;" type="1"&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l2 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;He had to come. (Agent-Oriented)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l2 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;Does he need to come? (Agent-Oriented)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l2 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;He must be coming. (Epistemic)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l2 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;He must have come. (Epistemic)&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 18.0pt; text-align: justify;"&gt;&lt;u&gt;&lt;b&gt;Contextual frames&lt;/b&gt; are associated with the two types of modality&lt;/u&gt;. “The notion of a contextual frame is similar to what others have called an ‘inferential schema,’ or simply a ‘frame,’ i.e. a body of knowledge evoked the language user in order to provide an inferential basis for the understanding of an utterance” (27-8). According to Heine, contextuality lies upon some factors such as contextual clues (focal frames which do not require mental effort or imagination, and non-focal frames which require objectivity), knowledge of the world (it provokes epistemic modality, as we can not change events or incidents) and social norms (for instance, when we believe in something socially acceptable, we can have either agent-oriented or epistemic sense, but when something is socially disapproved, only epistemic sense occurs) (28)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;Examples.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;ol start="1" style="margin-top: 0cm;" type="1"&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l1 level1 lfo2; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;It must be three o’clock. (knowledge of      the world, epistemic)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l1 level1 lfo2; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;He has to be brave. (socially acceptable      norm, agent-oriented)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l1 level1 lfo2; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;He must be brave. (socially acceptable      norm, epistemic)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l1 level1 lfo2; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;He must be a coward. (socially      unacceptable norm, epistemic)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l1 level1 lfo2; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;He is said to beat his wife. (human agent      as the subject, agent-oriented)&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 18.0pt; text-align: justify; text-indent: 18.0pt;"&gt;Additionally, Heine argues for the issue of &lt;u&gt;conceptual properties&lt;/u&gt; in relation to &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;the two kinds of modality. He takes into account the conceptual properties of force, controlling agent, dynamic event, time reference, and probability; all these factors provoke agent-oriented modality (29). Force, is provoked when a constituent is characterized by an “element of will” (Jespersen 1924: 320-1), that has an interest in an event either occurring or not (29). Dynamic events are observed when something manipulates a particular situation and provokes the change of a state (29).&lt;br /&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; Examples&lt;/div&gt;&lt;ol start="1" style="margin-top: 0cm;" type="1"&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l0 level1 lfo3; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;He has to come. (force)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l0 level1 lfo3; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;I insist that he comes. (Controlling      agent)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;b&gt;Heine’s “metaphor” and context model&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;In this part, I would like to mention that Heine, apart from the agent-oriented and epistemic modality, he also discusses the metaphor and context model. For instance, he takes the phrase &lt;i style="mso-bidi-font-style: normal;"&gt;be going to, &lt;/i&gt;and changes it from its concrete/ lexical meaning (the concrete meaning refers to the intention someone may have to go somewhere and&amp;nbsp; it indicates an action) to the grammatical meaning of the future tense (37). According to Heine, this transformation happens “from one domain of human conceptualization to another.” (37) In other words, he observes that the literal meaning of &lt;i style="mso-bidi-font-style: normal;"&gt;be going to &lt;/i&gt;(i.e. &lt;i style="mso-bidi-font-style: normal;"&gt;Sally is going to the town.&lt;/i&gt;) expresses some kind of motion in terms of space, and is a metaphor model; on the other hand the non-literal meaning of &lt;i style="mso-bidi-font-style: normal;"&gt;be going to &lt;/i&gt;(i.e. &lt;i style="mso-bidi-font-style: normal;"&gt;Sally is going to wake up in a minute.&lt;/i&gt;) is a context model as the literal meaning is ruled out.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; On the other hand, some linguists like Sweetser, suggest that “the conceptual shift from the agent-oriented to the epistemic domain is a clear instance of a metaphorical process.” (39) Coates, also observes that modal auxiliaries are transformed from agent-oriented to epistemic, due to the three types of intedeterminacy: gradience, ambiguity, and merger (39). However, Heine, Claudi and Hunnemeyer claim that both the metaphor and the context model are required for different levels; thus, the context model relates with the micro-level and the metaphor with the macro-level of the conceptual shift (40). Consequently, for &lt;i style="mso-bidi-font-style: normal;"&gt;be going to, &lt;/i&gt;the micro-level extension of the construction refers to its present uses and the cases of ambiguity between physical motion and intention; on the other hand, the macro-level is concerned with the shift from “a concrete source proposition to an abstract grammatical function.” (40-1)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt; In this part, I would like to point out that the theory concerning the discrimination between agent-oriented and epistemic Modality, is very useful for the theme of the research paper; which is the presence or absence of modality in conditionality, and especially in hypothesis. As we have mentioned before, modality is affected by many factors like the tense; for example according to Ritter epistemic modality is highly related with future tense and in its meaning it “entails that a temporal domain created by an FPS-form is a kind of intentional domain.” (136) Thus, we could easily agree with Declerck and Reed who claim that the future tense will cover not only the “pure future” sense but also “prediction” and “predictability.” (135)&amp;nbsp; As a result, epistemic modality exists in future tenses when something has its own set of presuppositions and truth conditions, and each of them can be evaluated and interpreted (136).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;div style="text-align: center;"&gt;&lt;u&gt;Examples with epistemic modalizers&lt;/u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/div&gt;&lt;ol start="1" style="margin-top: 0cm;" type="1"&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l3 level1 lfo4; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;If you asked him politely, he (may/ will)      do it for you. (open-P)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l3 level1 lfo4; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;If you had asked him politely, he (might/      would perhaps/ would certainly) had done it for you. (counterfactual)&lt;/i&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-8868457131761037345?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/8868457131761037345'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/8868457131761037345'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2011/03/two-types-of-modality-agent-oriented-vs.html' title='The Two Types of Modality: Agent-Oriented Vs. Epistemic Modality, A review on Heine&apos;s argument'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-7093799520312637088</id><published>2011-03-04T00:49:00.001+02:00</published><updated>2011-03-04T00:49:24.533+02:00</updated><title type='text'>Reference without Reference) Follow me in ISTAl for full discussion!!</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;br /&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;span style="font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 12.0pt;"&gt;Do we always speak of what we mean? How can we really define the counterparts of meaning? In a sentence like “Shakespeare is the author of &lt;i style="mso-bidi-font-style: normal;"&gt;Romeo and Juliet&lt;/i&gt;” the proper name &lt;i style="mso-bidi-font-style: normal;"&gt;Shakespeare&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%; mso-ansi-language: EL; mso-bidi-font-size: 12.0pt;"&gt; &lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 12.0pt;"&gt;is in predicate position as it identifies a quality or an activity of the entity and should not be simply regarded as an instance of direct reference. Language can be “misleading” in some cases, as not all referring expressions necessarily convey reference.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-7093799520312637088?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/7093799520312637088'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/7093799520312637088'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2011/03/reference-without-reference-follow-me.html' title='Reference without Reference) Follow me in ISTAl for full discussion!!'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-4494358954465009038</id><published>2011-01-11T01:22:00.000+02:00</published><updated>2011-01-11T01:26:11.832+02:00</updated><title type='text'>The Resolving of the Ambiguity</title><content type='html'>&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify; text-indent: -41.95pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="line-height: 200%; text-align: center; text-indent: -41.95pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Structural Ambiguities&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify; text-indent: -41.95pt;"&gt;&lt;/div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Ambiguity deals with &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;coherence and understanding&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;. In our life when we say that something is ambiguous we mean that it is unclear, confusing, or not certain, especially because it can be understood in more than one way.&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;First of&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 32px;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;all, a more scientific or a more syntactic definition of the term ambiguity/ ambiguous is very enlightening. Haegeman observes that in case of having two groupings of words, suiting in a particular string of words, we deal with the cause of the ambiguity of the string or structural ambiguity, as we need structure and&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 32px;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 32px;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;syntax in order to comprehend the dual meaning of the constituent (9-10). Apart from this, according to Victoria Fromkin, Robert Rodman and Nina Hyams&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;[A]mbiguous sentences have more than one phrase structure tree, corresponding to a different meaning. The sentence&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;The boy saw the man with the telescope&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; is ambiguous.&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;u&gt;One meaning&lt;/u&gt; of the sentence is “the boy used the telescope to see the man. The first phrase structure tree represents this meaning. The key element is the position of the PP directly under the VP. Although the PP is under VP, it is not a complement because it is not selected by the verb. The verb &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;see&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; selects an NP only. In this sentence, the PP has an adverbial function and modifies the verb. In its other meaning, “the boy saw a man who had a telescope,” the PP &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;with the telescope&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; occurs under the direct object NP, where it modifies the noun &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;man.&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; &lt;u&gt;In its second meaning&lt;/u&gt;, the complement of the verb &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;see &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;is the entire NP-&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;the man with the telescope&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;. The PP in the first structure is generated by the rule:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;VP→V&amp;nbsp; NP&amp;nbsp; PP&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;In the second structure the PP is generated by the rule:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;NP→Det&amp;nbsp; N&amp;nbsp; PP&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Two interpretations are possible because the rules of syntax permit different structures for the same linear order of words (143-4). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-left: 72.0pt; text-align: justify; text-indent: -72.0pt;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Another example could be the following: &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;150 black cab drivers.&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; The particular NP is &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;ambiguous because it can be interpreted in three different ways.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;ol start="1" style="margin-top: 0cm;" type="1"&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;150[[black      cab] drivers]&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;150[black      [cab drivers]]&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;150 drivers      of [black cabs]&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Also, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;a tall rose grower &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;can have the following double structure:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;ol start="1" style="margin-top: 0cm;" type="1"&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l1 level1 lfo2; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;[[Adj.-Noun]-Noun]      → a [[tall rose]grower]&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 200%; mso-list: l1 level1 lfo2; tab-stops: list 36.0pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;[Adj.-[Noun-Noun]]      → a [tall[rose grower]]&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;/div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Another major issue, related to structural ambiguity is &lt;/span&gt;&lt;i&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Discontinuous Dependences&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; This means that we can have a sentence which does not seem to be ambiguous, but contains participles or phrasal verbs. The position of the participle within the sentence could be considered as a cause of ambiguity, as various interpretations are possible (Corpus 50-510). The following instances will help us understand this case better.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;1. Mary stood &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;up &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;her date&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; Vs.  Mary stood her date &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;up.&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Also, the issue of discontinuous dependency is associated with modifiers.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;2. Several people &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;who were wearing hats &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;came in&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Vs.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Several people &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;came in &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;who were wearing hats.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;In this case the modifying clause provides information about the head noun (example 1) or the head noun indicates information for the clause, as in this case its position is in the end of the sentence. (example 2)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;In addition to this, structural &lt;u&gt;ambiguity is associated with Thematic Roles&lt;/u&gt;: “Some constituents of the sentence are inherently required by the meaning of the verb. It is as if each verb sets the scene for some kind of situation: the verb requires a number of entities that will be involved in the situation. The participants in the situation are called the arguments of the verb” (Haegeman 192). Also, Haegeman states that the Agent, the one intentionally initiates the action, is the subject, and the Theme, the entity undergoing a change of state, is the direct object. (192) Thus, after having the term, Thematic Roles, I will briefly explain its association with structural ambiguity through a very simple example: Sherlock saw the man using binoculars. The interpretations of the example are the following: a) Sherlock used the binoculars to see the man b) A man was using binoculars, and Sherlock saw him. &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Sherlock&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;, denotes a particular person, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;man&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; denotes a set-the set of man, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;the &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;denotes a function that takes a set as its argument, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;saw &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;denotes a function that takes a person/ thing as argument and yields a set and &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;using binoculars&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; denotes the set of people who were using this object. (Stephenson 3) Lastly, Stephenson argues that “constituent structure reflects semantic composition [&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;the &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;and &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;man&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; combine together first before combining with &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;saw&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; and also that] there are three ways that meanings are put together: a function applies to an argument, two sets are intersected, check weather something is a member of that set” (3). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;/div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Furthermore, ambiguity could be also defined as &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Scope Ambiguity &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;“a type of confusing ambiguity characterized by confusion over the role a word plays in the sentence. Example: &lt;/span&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Prostitutes appeal to Pope.&lt;/span&gt;&lt;/u&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; There is some debate over whether &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Scope Ambiguity &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;represents a unique type of ambiguity or whether it belongs to &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Syntactic Ambiguity &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;or &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Lexical Semantic Ambiguity&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;” &amp;lt;http: //everything2com&amp;gt;. Also, another definition concerning ambiguity is &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Grouping Ambiguity&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;: “[…] a type of syntactic ambiguity that is ambiguous because it is unclear whether a modifier in a sentence modifies only one or several objects. Example: &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Hand on me the red and the yellow balls.&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; (Hand me the red ball and the yellow ball, Hand me the balls that are red and yellow” &amp;lt;http: //everything2com&amp;gt;.&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Structural ambiguity has a strong impact on literature in terms of syntactic analysis; this means that while reading a book we may be unable to interpret author’s implement properly. We can transport this difficulty and attach it on the level of linguistics and particularly syntax. According to Kimball and Frazier the structure based ambiguity consists of two categories: “Right Association-a constituent tends to attach to another constituent immediately to its right [and] Minimal Attachment- a constituent tends to attach so as to involve the fewest additional syntactic nodes” (Hindle, Rooth 257).&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-4494358954465009038?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/4494358954465009038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/4494358954465009038'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2011/01/resolving-of-ambiguity.html' title='The Resolving of the Ambiguity'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-3993472119099085785</id><published>2011-01-10T01:45:00.000+02:00</published><updated>2011-01-10T01:45:00.986+02:00</updated><title type='text'>Reference and Counterparts</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;br /&gt;&lt;div class="MsoNormal" style="line-height: 200%; tab-stops: 21.3pt; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="background-color: blue;"&gt;&amp;nbsp;Introduction &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;There is a strong connection between meaning and reference, as they both share common similarities and illustrate the way language is used by its speakers. Reference is associated with context. According to Halliday (2008:8) the structure of a sentence is bound by “situational constraints: the field (purpose of interaction), the tenor (roles and relationships between interlocutors) and the mode (channel of interaction). Moreover, Hymes (cited in Sifianou 2001: 62-5, 73) claims that context is shaped by setting, participants, ends (i.e. purposes- outcomes- goals), act sequences, key, instrumentalities (channel, forms of speech), norms (norms of interaction, norms of interpretation) and genres (like poems, myths, news, broadcasts etc.). Finally, Eikmeyer and Rieser (1981: 147) assume that meaning is based both on context and linguistic background. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="background-color: red;"&gt;The Counterparts of Reference&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;Deixis&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;According to Huang, the term “deixis” is interrelated with the structure of a language and the context in which the language is used; it encodes universal features that serve for communication (2007:132). Furthermore, Huang (2007: 135) claims that “deixis” is organized in an “egocentric way” and the “deictic centre” or “the deictic origo” is called ground zero because it includes both the person who speaks and the time at which a specific utterance is produced and the place where that utterance is produced. Hence, deixis is divided in three main types: “person deixis”, “spatial deixis” and “temporal deixis”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;Social Deixis and Discourse Meaning&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;I shall not disregard the role of social deixis in meaning. For Huang (2007: 163) social deixis is “[t]he codification of the social status of the speaker, the addressee, or a third person or entity referred to, as well as the social relationships holding between them”. Social deixis could be further defined as “relational social deixis” and is composed of the following counterparts: a) speaker- referent, b) speaker-addressee, c) speaker- bystander and d) speaker- setting (2007:164-5).  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;Definite - Indefinite – Generic Reference&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;According to Cruse (2004: 320), reference is divided in three subcategories: definite, indefinite and generic. Firstly, definite reference considers the identification of the referents of definite expressions, so that the hearer will be able to reconstruct what has been uttered by the speaker. Secondly, indefinite reference “hinges” nothing on the identity of the referent; thirdly, generic reference is the general or overall reference to a class of referents, either something is predicated of the whole class referred to, or something is predicted by each member of the class (2004:320, 3). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;Referring and Non- Referring, Constant and Variable Reference&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Saeed (1997) distinguishes between referring and non-referring expressions, constant and variable reference. Nouns are referring expressions because they identify an entity; thus, sometimes they are used in order to distinguish between instances (1997:26). Reference is further differentiated from constant to variable; Constant reference is considered with expressions having the same referent across a range of different variables (i.e. the Eiffel Tower, the Pacific Ocean), whereas variable reference includes referent expressions, which are totally context-dependent (1997:26-7). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;Speaker Reference&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;According to Bach (1987:7, 59-50) persons, places and things is what we encounter in perception because when we think and speak about the world around us, we form and express thoughts about them. Speaker reference occurs when we talk about something, without necessarily being referred to it; consequently, refer to something means to identify it verbally. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;Reference, Creativity and Mental Models&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Zelisky-Wibbelt (2001: 11) claims that mental models explain the way speakers represent meaningful utterances by integrating their referential information, so that they manage to have a coherent representation of the conceived situation. Propositional representations are created and more specialized ones about a particular situation. Consequently, mental models contribute to the “coherent integration of referential information in the representation which is analogous to the conceived situation” (2000:12). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;Indexicality&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Koutoupi- Kitis argues for the issue of indexicality by supporting that there are certain elements of speech, geographically or socially located, that are considered to be indexes which not only put the speaker in a particular situation, but also witness details concerning speaker’s identity (262). For Rast (2006) indexical reference carries information deriving from extra-linguistic features of the context of the utterance, the general world context and speaker’s inferences and beliefs. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;Indexicals &amp;amp; A Priori Truths&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;A priori truths, as Cappelen (2002: 277) claims, are an essential feature of indexicals as their linguistic meaning can generate certain kinds of universal truths. Universal truths are generated as follows: the linguistic meaning of an expression is identified with its “character, which is a function that delivers the expression’s content at each context” (2002:278). &lt;/span&gt;&lt;b&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;Definitiness&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;According to Lyons the notion of definiteness is also known as the familiarity hypothesis, because “the” means that the entity denoted by the NP is familiar to both speaker and hearer, whereas “a” does not signal any familiarity at all (1999:3). Definiteness also means to identify something, so it is associated with identifiability. In other words, the definite article directs the hearer of the referent of the NP by signaling that he is in a position to identify it. Additionally, the opposite notion of definiteness, indefiniteness is also associated with identifiability because “a” is neutral with respect to uniqueness. However, definiteness goes beyond the NP as it occurs rather widely. For instance, the tense-aspect distinction between past historic (i.e. I have read that book) and perfect (i.e. I read that book) could be considered as a further discrimination between definite and indefinite past.&amp;nbsp;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;(Lyons 1999:5-6, 12, 33, 45-6)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;  &lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-3993472119099085785?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/3993472119099085785'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/3993472119099085785'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2011/01/reference-and-counterparts.html' title='Reference and Counterparts'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-7777417002988494898</id><published>2011-01-04T03:55:00.000+02:00</published><updated>2011-01-04T03:55:44.080+02:00</updated><title type='text'>Meaning in later and early Wittgenstein</title><content type='html'>&lt;div style="font: 12.0px Times New Roman; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 12.0px Times New Roman; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;/div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;In &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;TLP &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;(1921) Wittgenstein focuses on the logic of language by introducing a picture theory&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;of meaning and claiming that language is the totality of facts (Kitis, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Strands in Pragmatics&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;: 7, 10,&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;13).&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;As Biletzki (2003:28) observes he defines &lt;b&gt;meaning as reference and the meaning of a sentence&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;as definite sense&lt;/b&gt;, whereas in &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;PI &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;(1974) he defines &lt;b&gt;meaning as use&lt;/b&gt;.&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;In &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;TLP&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;(1921) he claims that a &lt;b&gt;name (=object)&lt;/b&gt; has meaning when it has a reference point; a word is&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;meaningful only in the proposition in which it occurs.&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;Wittgenstein&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;considers a fact as a particular state, or situation; thus, a state of affairs could be regarded as the&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;combination of words, which are interrelated, with the meaning of all components of a specific state&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;of affairs.&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;On the other hand, in &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;u&gt;PI &lt;/u&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;u&gt;(1974) he establishes a functional outlook in language&lt;/u&gt; by regarding&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;language as the “tool of human communication” and as a “form of life” (Kitis, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Strands in&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Pragmatics&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;: 6-7).&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;He now establishes the “&lt;b&gt;use theory of meaning&lt;/b&gt;” by stating that the meaning of a&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;word is its use and that a name is descriptive because it is the instrument for a particular use;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;therefore he assumes that a name can construct a picture of reality and proves his argument through&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;“language games” and “family resemblances”. Before moving to these issues I shall also add that in&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;PI &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;he relates propositions with logic because he supposes that propositions deal with real words,&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;which means that they depict the way we use language on daily basis.&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Lastly, I view that in his later&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;work he seems to oppose to &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;TLP &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;and “picture theory of meaning” as he claims that &lt;b&gt;an image is an&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;object rather than a picture; consequently, without language we cannot express meaning if we&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;cannot influence others with our thoughts &lt;/b&gt;(&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;PI&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;: 1974. 16, 119, 137, 139).&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div style="font: 12.0px Times New Roman; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-7777417002988494898?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/7777417002988494898'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/7777417002988494898'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2011/01/meaning-in-later-and-early-wittgenstein.html' title='Meaning in later and early Wittgenstein'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-9195209296932618143.post-4130200578864366601</id><published>2011-01-04T03:47:00.000+02:00</published><updated>2011-01-04T04:08:19.367+02:00</updated><title type='text'>What is Wittgensteinian "Picture Theory of Meaning"?</title><content type='html'>&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 42.5pt; margin-right: 47.05pt; margin-top: 0cm; text-align: justify; text-indent: .05pt;"&gt;&lt;u&gt;Introduction&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 42.5pt; margin-right: 47.05pt; margin-top: 0cm; text-align: justify; text-indent: .05pt;"&gt;&lt;span class="Apple-style-span" style="font-size: 16px;"&gt;Ludwig Wittgenstein was one of the most enlightening forerunners for “logical positivism” and “ordinary language philosophy”. In this paper we will examine some of his main arguments as illustrated in &lt;i style="mso-bidi-font-style: normal;"&gt;Tractatus Logico- Philosophicus&lt;/i&gt; (1921) concerning meaning and language’s contribution in shaping meaning. Lastly, as reading the &lt;i style="mso-bidi-font-style: normal;"&gt;Tractatus&lt;/i&gt;, it is quite clear that he was highly influenced by Frege and Russel as far as meaning and language are concerned.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoListParagraph" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 54.0pt; margin-right: 47.05pt; margin-top: 0cm; mso-add-space: auto; mso-list: l0 level2 lfo1; text-align: justify; text-indent: -18.0pt;"&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt;1.1&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Wingdings;"&gt;à&lt;/span&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt; Language is the most representational system of reality. We picture reality with facts and facts stand for units (= objects). The objects are the words we use in order to describe reality. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 36.0pt; margin-right: 47.05pt; margin-top: 0cm; text-align: justify;"&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt;2.01 &amp;amp; 2.011 &amp;amp; 2.012&lt;/span&gt;&lt;span style="font-family: Wingdings; font-size: 12pt; line-height: 200%;"&gt;à&lt;/span&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt; A fact represents a particular state or situation. Each situation is composed of words and each single word has its own meaning and it is further interrelated with the meaning of the other words in order to describe a complete state of affairs. However, an object (=word) cannot have meaning outside a proposition because its meaning is dependent to the meaning of the proposition in which it occurs. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 36.0pt; margin-right: 47.05pt; margin-top: 0cm; text-align: justify;"&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt;2.0231&lt;/span&gt;&lt;span style="font-family: Wingdings; font-size: 12pt; line-height: 200%;"&gt;à&lt;/span&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt; Structure reflects meaning through the form and the content. This means that a proposition pictures reality because meaning shapes language; therefore meaning must be represented in a structured proposition. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 36.0pt; margin-right: 47.05pt; margin-top: 0cm; text-align: justify;"&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt;2.222&lt;/span&gt;&lt;span style="font-family: Wingdings; font-size: 12pt; line-height: 200%;"&gt;à&lt;/span&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt; Sense stands for meaning and meaning is associated with reality (=truth); however meaning is not always associated with reality (=falsity).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 36.0pt; margin-right: 47.05pt; margin-top: 0cm; text-align: justify;"&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt;3.203 &amp;amp; 3.3&lt;/span&gt;&lt;span style="font-family: Wingdings; font-size: 12pt; line-height: 200%;"&gt;à&lt;/span&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt; A name is like a point and it has a meaning. In order to use language we must be able in advance to tell whether something has sense or nonsense. To put it more simply we can understand if a proposition has sense or nonsense by recognizing its internal properties (the property of each constituent). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 36.0pt; margin-right: 47.05pt; margin-top: 0cm; text-align: justify;"&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt;4.431&amp;amp; 4.46&lt;/span&gt;&lt;span style="font-family: Wingdings; font-size: 12pt; line-height: 200%;"&gt;à&lt;/span&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt; The truth conditions of a proposition refer to its possibility to express something true or false. This means that truth conditions should not be tested as Frege has analyzed them, but in an alternative way. They can be either tautological (true possibilities= truth) or contradictive (false possibilities= truth rather than falsity).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 36.0pt; margin-right: 47.05pt; margin-top: 0cm; text-align: justify;"&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt;6.2322&lt;/span&gt;&lt;span style="font-family: Wingdings; font-size: 12pt; line-height: 200%;"&gt;à&lt;/span&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt; If we consider that two expressions are identical we cannot that easily suppose that they also share the same meaning. They can have the same meaning (=identical) only if they have the same reference. Thus, meaning reference and identity are all interrelated.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 36.0pt; margin-right: 47.05pt; margin-top: 0cm; text-align: justify;"&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt;&lt;u&gt;Implications&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin-bottom: 10.0pt; margin-left: 36.0pt; margin-right: 47.05pt; margin-top: 0cm; text-align: justify;"&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: 16px;"&gt;In conclusion, all the above aphorisms conclude to Wittgenstein’s main claim that “what can be said can be said clearly” and “what we cannot talk must pass in silence”. As far as I can comprehend his claim I could assume that if we try to produce a pictorial representation of reality (and if we also consider that language, logic and reality are interrelated) we can speak of what we have in mind when this particular thing corresponds to a particular situation, state, object, name, point, sign of reality.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9195209296932618143-4130200578864366601?l=elementsoflinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/4130200578864366601'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9195209296932618143/posts/default/4130200578864366601'/><link rel='alternate' type='text/html' href='http://elementsoflinguistics.blogspot.com/2011/01/what-is-wittgnesteinian-picture-theory.html' title='What is Wittgensteinian &quot;Picture Theory of Meaning&quot;?'/><author><name>Efthymia Tsaroucha</name><uri>http://www.blogger.com/profile/11129563015300099556</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://4.bp.blogspot.com/-9vbfUt1gMNE/TykZn469Z5I/AAAAAAAAAGI/XTxN1hiZRS4/s220/69418_117777728283653_100001542803765_122046_3422048_n.jpg'/></author></entry></feed>
